Enigmatriz builds images out of a strange collision between old paintings and digital code. A horse from a historical canvas, a figure from a public domain archive, a still life pulled from another century, all interrupted by characters, symbols, and cream-white texture.

Chancellor’s paintings feel like they have been dragged out of a house no one wanted to look inside.

The French-Spanish editorial illustrator who came up in graphic design and has been stripping his work back ever since.

Çağla Polat photographs melancholy in color. Istanbul appears through fog, neon, rain, motion blur, and the strange glow of streets seen before sunrise or after dark. The city is familiar to her in the way only a birthplace can be, but she photographs it as if it still has the ability to disappear.